That one essay – you know the one that got this whole educational renewal movement going – needs to be reevaluated. I am talking about the essay “The Lost Tools of Learning” by Dorothy Sayers. Her approach reminds me of Galadriel’s speech in the prologue to The Lord of the Rings movies, “Much that once was is lost. For none now live who remember it.” Someone who remembers the way things were must pass that knowledge down or else it is forever lost to the detriment of future generations. “And some things that should not have been forgotten were lost.”
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Why the History of Narration Matters, Part 4: Charlotte Mason’s Practice of Narration in Historical Perspective
In this series I have contended that the history of narration should bring Charlotte Mason educators and classical Christian educators together. That is because narration’s use as a pedagogical practice in the classical tradition illustrates vividly the connection between the two. When we know this history and turn to Charlotte Mason’s advocacy for the practice of narration as a central learning strategy, we see her not as a scientific modernist, intent on casting aside the liberal arts tradition of education, but as a renaissance-style educator. Mason was seeking to revive the best of ancient wisdom about education, even as she
Continue readingNarration Course for ClassicalU: A Rehearsal Sneak Peek
As I mentioned in a previous article on the history of narration, I’ve received an opportunity to film two courses at the beginning of December for Classical Academic Press’ ClassicalU: one on narration and another on Charlotte Mason’s philosophy for classical educators. Our working titles are A Classical Guide to Narration and Charlotte Mason: A Liberal Education for All. Knowing what I know about the importance of practice for developing skill, I decided to set my hand to the task of practicing my video lectures. Of course, just developing the material fully for these two courses has filled up the
Continue readingWhy the History of Narration Matters, Part 2: Classical Roots
In my last article I shared the first piece of why the history of narration matters: it has the potential to break down the barrier between the Charlotte Mason community and classical educators. There are some notable exceptions who have tried to cross the aisle, but for the most part these two groups have kept to their own camps — some have even had cutting critiques of the other side to share. And of course, we may be each other’s best critics in a way that would be good for both of us. But for that to happen Masonites would
Continue readingTeaching Confident Faith in an Age of Religious Uncertainty
Christianity, as a global religion, is at a crossroads. On the one hand, it remains the largest religion in the world: 31% of the world’s population is Christian, and sociologists predict this percentage to increase to 32% by 2060. [1] On the other hand, the religion is experiencing notable decline in the West. In 2010, 75% of Europeans and 77% of North Americans identified as Christian, practicing or non-practicing. The percentages in both continents are expected to decrease to 65% by 2050. [2] If Christianity is projected to increase globally, but decrease in the West, in what parts of the
Continue readingCharlotte Mason and the Liberal Arts Tradition, Part 1: Mapping a Harmony
“What has Athens to do with Jerusalem?” the church father Tertullian skeptically asked. Tertullian was writing at a time in which church leaders were weighing the pros and cons of mining the Greco-Roman philosophical tradition for insights they could utilize in the development of a distinctively Christian philosophy. Similarly, within the Christian classical school movement, some have asked, “What has Charlotte Mason to do with Dorothy Sayers?” In other words, can the pedagogical insights of the British educator Charlotte Mason be conducive for classical education today? Where is there harmony? Where is there discord? While a full treatment of this
Continue readingWriting on Purpose: How Ought We to Instruct Young Writers?
To teach writing is to teach an art form. It takes lots and lots of practice to write well. The way we think about writing can sometimes limit students, so that they don’t gain the practice they need to write effectively. In order to write effectively there are three concepts that should guide our goals as instructors of writing: 1) The Primacy of the Audience 2) Perspective is Power 3) Multiple Styles In teaching an art form, we can tend to focus on the technical aspects of the art, but we also need to take a long-term view of the
Continue readingThe Flow of Thought, Part 5: The Play of Words
“Words, words, words.” Such was the enigmatic reply of Hamlet to Polonius’ question, “What do you read, my lord?” And as always, Hamlet’s feigned madness displays the ironical insight of a verbal sense of humor. After all, what is anyone reading these days, but merely words, words, and more words? Of course, Polonius interprets this as a depressive comment on the meaninglessness of reading, with a unique philosophical twist. But perhaps it can represent for us an important claim regarding the purpose of education in language and the humanities: words are meant to be played with, not merely learned. In
Continue readingThe Flow of Thought, Part 4: The Seven Liberal Arts as Mental Games
There’s a lot of talk these days about the war between STEM and the liberal arts (which we are meant to understand as the humanities generally). Often this gets posed as a trade-off between a utilitarian education—training our future engineers, scientists and programmers—vs. a soft education in human skills and cultural awareness. Given the hype for STEM, defending the value of the humanities (as Martin Luther did, for one) is an important move in the broader education dialogue. And it’s one that’s not very hard to make, when there are articles like this one on how Google was planning to
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