The Narration-based Science Lesson

The method of narration articulated by Charlotte Mason is a powerful tool that involves children retelling what they have learned in their own words. Students tell back the content of what they have read, seen or heard. This actively engages their minds in the process of assimilating knowledge, making connections and cultivating language skills. Narration is dynamic and grows in complexity as students grow, meaning that as students enter higher grade levels and encounter subjects that have dense prose, we need to understand how to modulate our use of narration to fit the needs of the texts they read. When

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The Role of Imagination in Education

Imagination. The word brings so much to mind for us today. If there’s one thing that everybody can agree on for children, it’s the need to help them develop a vivid imagination through school, play, and well… everything they do. Or perhaps, ‘develop a vivid imagination’ is the wrong way of putting it. “Every child is born blessed with a vivid imagination,” said Walt Disney. “But just as a muscle grows flabby with disuse, so the bright imagination of a child pales in later years if he ceases to exercise it.” So maybe it’s not children who need to develop

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5 Elements of Faculty Culture for a New School to Implement on Day 1

With the skyrocketing number of new classical schools opening each year in the United States and beyond, the launch teams for these schools are no doubt busy working to prepare for the first day of school. On the one hand, this inaugural day probably feels far away yet. But on the other hand, for these pioneers, it is coming all too fast.  To prepare for a launch year, there are a number of elements for school founders to discuss, care for, and organize into a cohesive plan. These elements, many of which are minute, taken individually may at times feel

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Reading for Meaning: Tapping into the Collective Unconsciousness

The story of Saint George and the Dragon is a classic tale of courage and faith. It tells the story of a brave knight, George, who saves a princess from being sacrificed to a dragon that has been terrorizing a small town. After slaying the dragon, George is celebrated as a hero and his bravery is rewarded with the hand of the princess in marriage. The story has been adapted into many different versions throughout history, but its core message remains the same: courage and faith can overcome any obstacle. There’s a lovely edition of Saint George and the Dragon

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Teaching a Narration-Based Bible Lesson

“Child,” said Aslan, in a gentler voice than he had yet used, “perhaps you do not see quite as well as you think. But the first step is to remember. Repeat to me, in order, the four signs.” The Silver Chair by C.S. Lewis Teaching a Bible lesson can be a teacher’s most intimidating class of the day. On the one hand, the biblical text is probably quite familiar, leading to great confidence. But on the other hand, the weight of the responsibility–teaching truths from the Word of God to children–can be overwhelming.  One cannot help but think of Jesus’

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“Education is a Life”: Igniting a Love for Learning in the Classroom

“’Education is an atmosphere, a discipline, a life’––is perhaps the most complete and adequate definition of education we possess. It is a great thing to have said it; and our wiser posterity may see in that ‘profound and exquisite remark’ the fruition of a lifetime of critical effort (Charlotte Mason, Parents and Children, p. 33). In this series, I have been exploring Charlotte Mason’s notion that education should be approached through a trifold lens of atmosphere, discipline, and life. Stemming from her view of children as persons, Mason argues that we are limited to three and only three tools to

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The Pathway to Mastery: Apprenticeship in the Classroom

A new book landed on my desk around the beginning of the school year. Robert Greene’s Mastery (New York: Viking, 2012) touches on a number of points that are worthy of exploration and consideration. It reads like a mix of historical biography and self help by a writer who is a master of his craft. I first came across Robert Greene when I listened to his 48 Laws of Power (New York: Viking, 1998) as an audiobook. At that point I largely dismissed Greene as a relevant voice in my life due to how Machiavellian his self-help advice came across.

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Expanding Narration’s History in the late Middle Ages: Bernard of Chartres from John of Salisbury’s Metalogicon

This is the third blog article expanding the short history of narration I laid out a year ago. In the last two I expanded my treatment of John Amos Comenius to engage in detail with the passages from The Great Didactic and the Analytical Didactic that recommend activities that Charlotte Mason would have called narration. As I have searched for teaching practices in the classical tradition, I have tried to be fairly precise in what would qualify as “narration”. In my book A Classical Guide to Narration I defined “narration” as a long-form imitative response to content that a teacher

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Expanding Narration’s History with Comenius: Narration’s Rebirth, Stage 2 – The Analytical Didactic

In my last article I expanded my treatment of the history of narration through delving into a passage from John Amos Comenius’ The Great Didactic. I began reading The Great Didactic last year while writing the history of narration series and determined that there was more to say about the rebirth of narration during the Renaissance and Reformation eras. In fact, Comenius says so much that is pertinent to the teaching tool of narration, that it is tempting to attribute to him the invention of it as a core teaching practice. While we know that Aelius Theon used written narration

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Expanding Narration’s History with Comenius: Narration’s Rebirth, Stage 2 – The Great Didactic

If you’ve been following Educational Renaissance for some time, you might remember my history of narration series from last year. During the third article of the series I had a short section on narration in John Amos Comenius’ work, relying primarily on Karen Glass’s brief quotations in Know and Tell. At the time I was only beginning to read Comenius’ The Great Didactic in full, and I had not yet procured his Analytical Didactic. Now I have read and digested both, coming away with more narration gems to add to the history. Even then I wrote that “more remains to

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