Imagination. The word brings so much to mind for us today. If there’s one thing that everybody can agree on for children, it’s the need to help them develop a vivid imagination through school, play, and well… everything they do. Or perhaps, ‘develop a vivid imagination’ is the wrong way of putting it.
“Every child is born blessed with a vivid imagination,” said Walt Disney. “But just as a muscle grows flabby with disuse, so the bright imagination of a child pales in later years if he ceases to exercise it.”
So maybe it’s not children who need to develop an imagination, it’s us adults who need to rekindle it.
Maybe the problem is school. Maybe we’re the ones who educate students out of imagination and creativity, as Sir Kenneth Robinson has claimed. In a TED talk from 2007, entitled “Do Schools Kill Creativity?” he argued that we have rethink schooling entirely for our new era because of how our organized structures of school only focus on one type of “academic achievement.” This has become a popular idea and might be connected to another recent movement in education: Howard Gardner’s idea of multiple intelligences. There isn’t just IQ, but other imaginative and creative areas of intelligence that traditional schooling disregards or at least categorizes as not as valuable. In addition to verbal and mathematical intelligence (which are often prominent in standardized testing), Gardner posits that there are visual-spatial, bodily-kinesthetic, musical, interpersonal, and other intelligences. The multiple intelligences theory has had its critics. One article said,
Gardner’s theory has come under criticism from both psychologists and educators. These critics argue that Gardner’s definition of intelligence is too broad and that his eight different “intelligences” simply represent talents, personality traits, and abilities. Gardner’s theory also suffers from a lack of supporting empirical research…. Despite this, the theory of multiple intelligences enjoys considerable popularity with educators. Many teachers utilize multiple intelligences in their teaching philosophies and work to integrate Gardner’s theory into the classroom. (see Gardner’s Theory of Multiple Intelligences (verywellmind.com))
Some parts of this idea resonate with a postmodern retreat from any standards in education. Everyone has their own special intelligence area, no matter plummeting math and reading scores. Perhaps there’s also a fair bit of sentimentality about childhood in our talk about imagination. But on the other hand, many of these other types of intelligence that Gardner proposed are staples of the classical tradition: music, gymnastic, the prudence to engage with other people in the human world, and the rhetorical skills to persuade and communicate well interpersonally. Maybe Gardner is just repackaging lost arts of the classical tradition as a new psycho-educational theory. Of course, we’ve all probably felt in our own lives how the drudgery of school or work or daily life can seem to socialize us out of imagination and our creative intelligences.
But it’s not just one side of the aisle that is saying we need to reinvigorate education and modern life with imagination. Anthony Esolen, a conservative Catholic professor and social commentator, wrote a witty book entitled, 10 Ways to Destroy the Imagination of Your Child. It’s written kind of like C.S. Lewis’ Screwtape Letters, with biting irony showing us what not to do. For Esolen the culprits of our loss of imagination actually is the result of our anti-traditionalism. It’s because we’ve lost or abandoned things that progressives would decry, like the power of memory in school, or because we are “effacing the glorious differences between the sexes.” We’ve lost traditional childhood games, and won’t let kids pick their own teams anymore. We overly separate children from the adult world, and we deny the existence of transcendent and permanent things, we also keep children indoors too much because we’re afraid of them getting dirty or hurting themselves. (I rely partly on Justin Taylor’s review on the Gospel Coalition for this assessment.)
To his list from over a decade ago we could add a host of growing modern phenomena:
- Overstimulation through media
- Over scheduling in “activities” and lack of free play
- Loss of fairy tales and quality imaginative literature in school
- Focus on career prep, practicality, STEM, standardized testing and grades
So perhaps we can land on a thesis with surprising contemporary agreement: we need more imagination in childhood and in school. But our agreement may be only surface deep, as the devil really is in the details.
What is imagination anyway? How do we cultivate it? What might Christianity and the classical tradition have to say about the matter? I hope to open the discussion for us of some of these very big and daunting questions. First, we’ll discuss what imagination is and how we use our imaginations all the time in all sorts of ways. Second, we’ll consider how we can cultivate the imagination in our classes and subjects, before concluding that a well-developed Christian imagination should be an important goal of our schools.
What Is Imagination?
First, let’s try to answer the question “What is Imagination?” It’s one of those terms we’re happy to use all the time, but I’m not sure anyone really knows what we’re talking about. Is it just another word for creativity? Or is it a faculty of the human mind? Is imagination just something we use at Disneyland, or when reading fantastical literature, or is it more far reaching than that? Well, I think the latter in both cases. The imagination is an ability of ours as human beings that deeply informs who we are, how we think, and how we live and relate to others, even if we don’t consider ourselves a very imaginative person.
When I am trying to define important ideas like this, I often go to Aristotle, that great philosopher, at least as a starting point. Avid readers of Educational Renaissance will no doubt be laughing here, because have been writing on Aristotle’s intellectual virtues for a few years already. But you will remember that, no, imagination is not one of the intellectual virtues, and I’m not about to make it one. I don’t even think the imagination is mentioned in Aristotle’s Nicomachean Ethics… but I was reading Aristotle’s De Anima (“On the Soul”) this summer for a series on The Soul of Education and having unthinkingly assigned myself the absurd task of imagining up a talk on imagination some months ago for the ACCS Endorsed Teacher Training Workshop at Coram Deo Academy (where I serve as Principal), I happily happened upon a passage where Aristotle does in fact define imagination. And I think his definition actually helps us as educators to understand what we’re really after for our students.
The word ‘imagination’ in English pretty clearly features the word ‘image’ in it. And Aristotle roughly defines it as the faculty of bringing images before the mind. In Greek the word is phantasia which comes from a word for light and vision, having a similar idea. It’s the ability to bring pictures before your mind that you are not currently seeing or experiencing; in fact, for Aristotle, it could be more than just pictures, it could include other senses like smells or sounds. It is not sense or memory, because if imagination were just limited to what we were experiencing or had experienced, it would be very limited. The very power of imagination is that we can blend and expand on those things we have seen or experienced from our memories, creating something new. It is a synthetic faculty, bringing together disparate things to make of them something that did not exist before. In that sense, imagination is not like the intellectual virtues which for Aristotle are always true, it’s not knowledge or understanding, because those can’t be false but imagination can be. We can have “vain imaginations” as scripture says, but we can also have the glorious imaginings of faith, where we walk precisely not by our sight.
I hope you can see that on this definition, imagination actually looms larger in education than Disney could have imagined. Imagination is connected to memory, creative production and thought. It is like a master faculty of the human mind that underlies all sorts of more developed intellectual abilities. On this definition, then, I would assert that Disney’s claim that children are born with a vivid imagination is plainly false. Children are certainly born with an imaginative ability that they will naturally use as human beings, but it’s only the trained and developed imagination of the great painter or artist, engineer or writer, that is vivid and alive to its full potential.
It certainly is possible that children would begin to disuse their imaginative and creative abilities in some areas through traditional schooling, but it is likewise true that they are learning to imagine in ways that they never could have on their own, if it weren’t for us. J.R.R. Tolkien did not lose his imagination by learning Latin and Greek and old English and history. It was the store of memories that he gained through his studies that allowed him to build a compelling imaginative world that arguably exceeded the depth and breadth of any imaginative writer before him.
I use the example of Tolkien because I think it illustrates the point well. But I think there is a real danger in limiting our view of imagination to fantastical literature only. Imaginations of all different sorts underlie all of the subjects that we teach and in fact our very lives. I mentioned before the possibility of good or bad imaginations. Scripture would teach us to consider that some human imaginings are fleshly, worldly and stereotyped, while others might be spiritually led and philosophically grounded. Aristotle himself asserts that “imagination may be false.”
This brings us to the first and perhaps the most important point for us to remember as classical Christian educators about the imagination. The imaginings of the heart may be deceitful, they may lead us astray. This is so important to know as we are shepherding our students morally and spiritually. But it is also key academically. The problem in science or math or history class may be that the students imaged into their own mind an inaccurate representation of the truth that we are trying to teach them. We must work with them to correct the picture that they think they know and help them imagine appropriately. Often, this entails going back to the source images, storyline, details. We have to get them to talk out and explain the picture they have in their minds, so that we can surgically assist them in altering it. This process can be difficult; it’s more difficult if we aren’t even aware of how things went wrong. This is also why getting the initial exposure of the vision of some truth right is so important: it’s easier to teach something the right way first, than to struggle with trying to reteach again and again and again.
But before we go too far into applications of this understanding of the imagination, we need to pause and detail just how broad this faculty of imagining really is. A few weeks ago my dad was visiting us from California. And I asked him what he thought about the imagination. My dad is a Christian therapist or counselor, so I guess I shouldn’t have been surprised that he immediately brought up the role of the imagination in mental health and addiction. He talked about how in dealing with challenging and painful circumstances, healthy individuals are able to, in some sense, escape or find positive refuge in imagining a calm and peaceful environment of some kind. He teaches his clients to do this. It made me think of a poem by William Wordsworth that I memorized in high school and taught in some of my first years of teaching:
I wandered lonely as a cloud
That floats on high o’er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
Did you catch that last stanza? Seeing this pleasant nature scene provided Wordsworth with a type of wealth, that he could then recollect, imagine again to himself afresh when in “vacant or in pensive mood.” He had gained the ability to cheer his heart against the trials of life. This is part of what our children miss, when they don’t have time in nature.
So, there is this positive role that imagination plays for aesthetics, for quality of life, and even for developing good taste for the higher pleasures. This is part of what a rich classical education is meant to give our students. But negatively, my dad also discussed the role of the imagination in addiction, how addicts will imagine to themselves beforehand the satisfaction of their desire. This shows us that the imagination is a moral and spiritual faculty, that requires self-control and training to focus on, to think on, as Paul says, “whatever is true, whatever is honorable, whatever is just, whatever is pure, whatever is lovely, whatever is commendable, if there is any excellence, if there is anything worthy of praise” (Phil 4:8). The content of our and our students’ imaginings matters and it’s not something we should leave up to chance. Charlotte Mason, the British Christian educator of the late 19th century, also discusses the positive moral value of giving students a vital relationship with every area of knowledge. Without this, human beings are more easily a prey to the lower and immoral pleasures on offer in our world.
In addition, imagination plays a role in living a prudent and virtuous life through our ability to imagine possible futures. Through imagination we can anticipate the negative consequences of our actions. While we can’t know the future, we can envision potential futures playing themselves out based on how we act and how we would imagine others to act in response. We can also imagine where we want to go in our lives, in our organizations, and we can develop an ideal vision of the future that can serve as our NorthStar while working out the day-to-day realities that befall us. This is how imagination plays in to the intellectual and moral virtue of prudence, both for individuals and for groups of people. We can only act prudently for our own good when we can imagine what will be good for us.
For this to happen our memories need to be stocked with real-world experiences and surrogate experiences through literature and history. This is why the saying, “Those who don’t know history are doomed to repeat it,” has such cache. But reading itself requires imagination for true understanding. We must actively picture to ourselves what we are reading about. Reading is not a passive experience. And in fact, one of the great strengths of reading over more entertainment-focused media, like the screen, is that the mind must do more work to imagine to itself a vision of the content read. Don’t get me wrong! Children can’t picture to themselves what they’ve never seen. But passive entertainment does not stoke a child’s imagination. Reading aloud is a lost art, and we should help students develop their imagination through lots and lots of practice.
How can we cultivate imagination in our classes and subjects?
Well, we can begin by ruling out some things. We don’t cultivate this active faculty of the imagination through iPads, screens, videos, and edutainment. These are crutches for the imagination. It’s not that children should never experience the delights of video; images delight the mind and can help to stock the memory, but if all their imaginative work is done for students, this will not give them the practice of drawing from their own stock of memory to creatively render ideas to themselves through their imagination. Everything in its place. Our world has no lack of exposure to images by way of screen. So instead, we want to provide for them the vibrant life-giving materials of a Christian and true imagination, and engage the memory, then prompt creative production with true, good and beautiful models. The key here is that students do not have everything handed to them on a silver platter, but just enough to get their minds going. We don’t want to overstimulate.
So what should we do? Well, parents should provide their children with hours of uninterrupted imaginative play. This provides children with the possibility of imaginative flow. We all know how detailed imagination and creativity take time and thought. If every minute of every day is schedule for children, there is no margin, no open space for this. While much of this applies to parenting and not teaching, schools too should beware of the modern temptation to fill every minute and pack every afternoon and evening with sports and extracurriculars. We have a tendency as a culture to believe that more is always better. Chris Perrin of Classical Academic Press has been keen to remind us that the origin of the word ‘school’ is the Greek word ‘schole’ which meant leisure. Often we are going at anything but a leisurely pace at school, and this has negative ramifications for children’s imagination.
At the same time, this fact about imagination helps be on our guard against some modern ideology around attention span. When pundits claim that a child of a particular age only has a 10 minute or 15 minute attention span, we should be incredibly skeptical. That same child could be glued to the TV for hours on end, exercising perfect attention. Or that child could spend hours at the craft table with crayons and scissors and nothing but his vivid imagination. And yes, the child might struggle to attend to a new and abstract concept in math for which he has not been given any concrete or pictorial representations. Attention span for children is not a fixed entity. It is possible that if your students are struggling to attend that you have not set up the knowledge in such a way as to engage their imagination.
How else can we cultivate the imagination? Well, I mentioned reading aloud, and so I would be remiss as the author of A Classical Guide to Narration not to call for the narration of classical literature after one reading aloud. If you didn’t know, narration is a practice where students are asked to tell back in detail after a single reading of some rich text. Instead of summarizing or analyzing, the student who narrates has to imaginatively relive the text as he tells it all back point by point. It’s this imaginative recreation of a story or description or explanation that seals this new knowledge in long term memory and engages the imaginative powers of the student. It will over time help students develop a rich verbal and linguistic imagination.
In order to help students do this well as part of our lessons we should be sure to prepare them for the rich text that will be the main feature of each new lesson. For example, we can set up the reading by providing them with the right images of real plants, animals, buildings, geography, or items, that are featured in the text. We want them to understand it, and so we should provide them with the vivid images that will make sense of the story or scientific explanation. They will naturally then use those images as they narrate the text in front of the class or to a partner later on.
Another important way to develop the imagination of our students is through Artwork Study, or Picture Study, Charlotte Mason called it. The idea is to place before students the pictures, paintings and artwork of our greatest artists from down through the ages. Give them a couple of minutes to take it all in quietly. Turn the reproduction over. Then have students recount as many details as they can before discussing it. This does not require special training in art or art history to do. We can stock the memory and learn the language of our great visual artists and in this way develop the visual imagination of our students. I could go on to talk of nature study and natural history outdoors. Learning to name the plants and animals in our own area is a wonderful way to start, as is basic sketching of our findings in a nature journal during our excursions.
Of course, we don’t want to leave out geometry and spatial reasoning, as if there were not an imagination proper to mathematics. This calls for a slow, deliberate movement from concrete to pictorial to abstract. In other words, whatever curriculum we use we should be sure as teachers to provide the imagination with the raw materials it needs in the proper order or sequence. Artistry in any area requires a detailed vision of what could be. We want to help students gain the developed imagination of design thinking and engineering. This may in fact be why we value manipulatives and scientific experiments, because they help lead to a mathematical and scientific imagination.
A Christian Classical Imagination
All this seems to follow from the fact that the imaginative faculty is responsible for bringing new images to our minds from the storehouse of our memory. Integration and synthesis are the acts of the creative imagination. This imagination is a far-reaching master faculty of the mind, and we would do well to recognize how crucial it is to cultivate it in school.
So I conclude that a Christian imagination and a well-informed classical imagination, trained in the liberal arts and sciences, fed on the Great Books and Great Conversation, full of true, good and noble ideas, is a if not the major outcome that we are seeking in our sort of education. We want our students to be imaginative in this sense.
In Mere Christianity C.S. Lewis wrote something striking about what it means to be original that has stayed with me. He said,
“Even in literature and art, no man who bothers about originality will ever be original: whereas if you simply try to tell the truth (without caring twopence how often it has been told before) you will, nine times out of ten, become original without ever having noticed it.”
I think that what Lewis said of originality applies to how we think about cultivating the imagination in school. Imaginative expressions should aim at truth-telling. The best developed imagination, originality itself, actually comes from submission to the truths of the Great Tradition, of Christianity first and foremost, but also the best that has been thought, said, written, painted, composed, experimented before us.
