Tag: narration

Reading for Meaning: Tapping into the Collective Unconsciousness

The story of Saint George and the Dragon is a classic tale of courage and faith. It tells the story of a brave knight, George, who saves a princess from being sacrificed to a dragon that has been terrorizing a small town. After slaying the dragon, George is celebrated as a hero and his bravery is rewarded with the hand of the princess in marriage. The story has been adapted into many different versions throughout history, but its core message remains the same: courage and faith can overcome any obstacle. There’s a lovely edition of Saint George and the Dragon

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Teaching a Narration-Based Bible Lesson

“Child,” said Aslan, in a gentler voice than he had yet used, “perhaps you do not see quite as well as you think. But the first step is to remember. Repeat to me, in order, the four signs.” The Silver Chair by C.S. Lewis Teaching a Bible lesson can be a teacher’s most intimidating class of the day. On the one hand, the biblical text is probably quite familiar, leading to great confidence. But on the other hand, the weight of the responsibility–teaching truths from the Word of God to children–can be overwhelming.  One cannot help but think of Jesus’

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“Education is a Life”: Igniting a Love for Learning in the Classroom

“’Education is an atmosphere, a discipline, a life’––is perhaps the most complete and adequate definition of education we possess. It is a great thing to have said it; and our wiser posterity may see in that ‘profound and exquisite remark’ the fruition of a lifetime of critical effort (Charlotte Mason, Parents and Children, p. 33). In this series, I have been exploring Charlotte Mason’s notion that education should be approached through a trifold lens of atmosphere, discipline, and life. Stemming from her view of children as persons, Mason argues that we are limited to three and only three tools to

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The Pathway to Mastery: Apprenticeship in the Classroom

A new book landed on my desk around the beginning of the school year. Robert Greene’s Mastery (New York: Viking, 2012) touches on a number of points that are worthy of exploration and consideration. It reads like a mix of historical biography and self help by a writer who is a master of his craft. I first came across Robert Greene when I listened to his 48 Laws of Power (New York: Viking, 1998) as an audiobook. At that point I largely dismissed Greene as a relevant voice in my life due to how Machiavellian his self-help advice came across.

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Expanding Narration’s History in the late Middle Ages: Bernard of Chartres from John of Salisbury’s Metalogicon

This is the third blog article expanding the short history of narration I laid out a year ago. In the last two I expanded my treatment of John Amos Comenius to engage in detail with the passages from The Great Didactic and the Analytical Didactic that recommend activities that Charlotte Mason would have called narration. As I have searched for teaching practices in the classical tradition, I have tried to be fairly precise in what would qualify as “narration”. In my book A Classical Guide to Narration I defined “narration” as a long-form imitative response to content that a teacher

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Expanding Narration’s History with Comenius: Narration’s Rebirth, Stage 2 – The Analytical Didactic

In my last article I expanded my treatment of the history of narration through delving into a passage from John Amos Comenius’ The Great Didactic. I began reading The Great Didactic last year while writing the history of narration series and determined that there was more to say about the rebirth of narration during the Renaissance and Reformation eras. In fact, Comenius says so much that is pertinent to the teaching tool of narration, that it is tempting to attribute to him the invention of it as a core teaching practice. While we know that Aelius Theon used written narration

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Expanding Narration’s History with Comenius: Narration’s Rebirth, Stage 2 – The Great Didactic

If you’ve been following Educational Renaissance for some time, you might remember my history of narration series from last year. During the third article of the series I had a short section on narration in John Amos Comenius’ work, relying primarily on Karen Glass’s brief quotations in Know and Tell. At the time I was only beginning to read Comenius’ The Great Didactic in full, and I had not yet procured his Analytical Didactic. Now I have read and digested both, coming away with more narration gems to add to the history. Even then I wrote that “more remains to

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Exploring Educational Alternatives: A Comparison of Charlotte Mason and Maria Montessori

The early 1900s was a watershed moment in education. The second wave of the Industrial Revolution brought about what we might call the educational-industrial complex. Here I intentionally draw upon Dwight D. Eisenhower’s 1961 Farewell Address when he warned against the disastrous potential of the military-industrial complex. Looking back over the previous decades of global warfare, he saw how the industry-fed war machine would never be satiated. Something like this happened in the field of education. Industry, an expanding economy and globalization demanded of education a new kind of production-line format. School buildings began to resemble factories graduating a populace

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What has Ambleside to do with Jerusalem?: A Consideration of Charlotte Mason’s Philosophy of Education as a Model for Teaching Biblical Studies

In this week’s blog post I am going back into the vault to share with you a paper I presented at the Society of Biblical Literature Annual Meeting in Atlanta on November 20, 2010. This was a pivotal moment in my career, having earned my PhD and taught for a few years at colleges and seminaries in the US and UK. I joined the faculty of Clapham School in 2009 and there first encountered Charlotte Mason. My introduction to Miss Mason’s philosophy of education completely revolutionized my teaching, and this was something I wanted to share with my biblical studies

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Why the History of Narration Matters, Part 4: Charlotte Mason’s Practice of Narration in Historical Perspective

In this series I have contended that the history of narration should bring Charlotte Mason educators and classical Christian educators together. That is because narration’s use as a pedagogical practice in the classical tradition illustrates vividly the connection between the two. When we know this history and turn to Charlotte Mason’s advocacy for the practice of narration as a central learning strategy, we see her not as a scientific modernist, intent on casting aside the liberal arts tradition of education, but as a renaissance-style educator. Mason was seeking to revive the best of ancient wisdom about education, even as she

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