Tag: John Milton Gregory

Attention, Then and Now: The Science of Focus Before and After Charlotte Mason’s Time

The importance of attention for education is almost proverbial. Who has not seen the stereotype of a student staring out the window, while the teacher drones on? Movies and TV shows are filled with it. Everybody knows that a wandering attention and a lack of interest hamper a student’s learning. But we haven’t always paid good attention to the dynamics of focus. Michael Hobbiss, a researcher from the UK on attention, distraction and cognitive control in adolescents, remarked in an interview on the Learning Scientists website, that there’s been too much focus among educators on how to grab students’ attention,

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artist working

Training in the Arts vs. Teaching Sciences

I have previously written on the classical distinction between an ‘art’ and a ‘science’, but I recently discovered some interesting confirmations of it in Plato and John Milton Gregory (two otherwise widely divergent figures in the history of education). In particular, the chief take-away for teachers is a clearer awareness of when you are focused on training students in an art vs. teaching them a subject. To summarize the distinction, Aristotle defined the intellectual virtue of ‘art’ as a “state of capacity to make [something], involving a true course of reasoning” (Nichomachean Ethics VI.4, 1140a). The painter makes paintings, the

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Rules for Schools?: An Interaction with Jordan Peterson’s 12 Rules for Life (Part 3)

I have been interacting with Jordan Peterson’s 12 Rules for Life over the past few weeks. This is now the third and final installment. Part 1 looked at habit formation and deliberate practice, while part 2 considered several of Peterson’s rules in conjunction with the idea of discipline. At the heart of Peterson’s book is a concern for truth and meaning. Taken together these have a bearing on our philosophy of education, particularly in what we are trying to produce in the lives of our students. Truth Peterson grounds truth in the biblical conception of the Divine Logos as the creative force behind

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