Tag: John Amos Comenius

Counsels of the Wise, Part 5: Principles and Practice, Examples and Discipline

In the last article we discussed “good instruction” as a preliminary or a forerunner to prudence. While the development of prudence itself must be confirmed through experience, since it requires familiarity with all the particulars of life, it can and must be fostered in the young through implanting the right principles. A great part of the proper education therefore consists in parents and teachers, tutors and mentors, sharing their wise instruction for life with children. This includes not only simple statements of right and wrong, but also proverbial observations about human nature and what is truly valuable in life.  The

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Counsels of the Wise, Part 4: Preliminary Instruction in Prudence

How does a person become wise? What are the proper ingredients in an educational paradigm aimed at prudence? Where would we even begin? So much of K-12 education seems to have nothing to do with practical wisdom, as Aristotle defines it. How do we recover the classical goals of wisdom and virtue in earnest, and not simply as a marketing claim?  So far in this series we have had occasion to develop the Christian underpinnings for prudence. “Be wise [phronemoi, prudent] as serpents and innocent as doves” (Matt 10:16), Jesus tells his disciples, utilizing the same word for prudence that

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Apprenticeship in the Arts, Part 6: The Transcendence and Limitations of Artistry

In this series on apprenticeship in the arts we have laid out a vision for the role of the arts in a fully orbed classical Christian education. We began by situating artistry or craftsmanship within a neo-Aristotelian and distinctly Christian purpose of education: namely, the cultivation of moral, intellectual, and spiritual virtues. Then we explored the analogy between artistry and morality through the basis in habit development, including in our purview the revolution in neurobiology regarding the importance of myelin. We saw that some types of elite performance have more established pathways to excellence, allowing for deliberate practice, while moral

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Apprenticeship in the Arts, Part 5: Structuring the Academy for Christian Artistry

In the previous article we explored the need to counter the passion mindset of our current career counseling by replacing it with a craftsman mindset drawn from a proper understanding of apprenticeship in the arts. Apprenticing students in various forms of artistry (including the liberal arts) constitutes the role of the Academy that is most intimately connected to the professional working world. By making real these connections through actual relationships with the practitioners of arts (whether in athletics and sports, common and domestic arts, fine and performing arts, the professions and trades, or the liberal arts themselves) classical Christian schools

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Apprenticeship in the Arts, Part 4: Artistry, the Academy and the Working World

In his book So Good They Can’t Ignore You: Why Skills Trump Passion in the Quest for Work You Love, Cal Newport argues against the well-known Passion Hypothesis of career happiness. He describes the Passion Hypothesis as the idea that “the key to occupational happiness is to first figure out what you’re passionate about and then find a job that matches this passion” (4). It is well summed up by the ever-present, popular advice to “follow your dreams.” As Steve Jobs said in a 2005 commencement speech at Stanford University, “You’ve got to find what you love….[T]he only way to

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Apprenticeship in the Arts, Part 3: Crafting Lessons in Artistry

In the previous two articles in this series exploring Aristotle’s intellectual virtues, I laid out a fivefold division of the arts and a teaching method for training in artistry. My guiding hypothesis is that rethinking education through the Aristotelian paradigm of intellectual virtues will combat some of the typical problems of modern education. Bloom’s Taxonomy of educational objectives misses the traditional nature of the arts in its abstract goals in the “cognitive domain.” It also obscures the beauty of how Aristotle’s virtue of techne, which I define as ‘artistry’ or ‘craftsmanship,’ involves the head, heart and body in a holistic

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Apprenticeship in the Arts, Part 2: A Pedagogy of Craft

In my previous article in this series on Aristotle’s intellectual virtues, I discussed the general nature of artistry or craftsmanship under the heading of apprenticeship. Aristotle’s virtue of techne, often translated ‘art’, points to our human capacity to make things, to produce things in the world. Words like ‘artistry’ or ‘craftsmanship’ help to convey in English the focus on a person’s trained ability to produce something. We noted that such abilities are trained through an apprenticeship process, rather than a simple knowledge-transfer approach. If a person desires to cultivate their ability to sing or paint beautifully, they rarely do so

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Expanding Narration’s History with Comenius: Narration’s Rebirth, Stage 2 – The Analytical Didactic

In my last article I expanded my treatment of the history of narration through delving into a passage from John Amos Comenius’ The Great Didactic. I began reading The Great Didactic last year while writing the history of narration series and determined that there was more to say about the rebirth of narration during the Renaissance and Reformation eras. In fact, Comenius says so much that is pertinent to the teaching tool of narration, that it is tempting to attribute to him the invention of it as a core teaching practice. While we know that Aelius Theon used written narration

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Expanding Narration’s History with Comenius: Narration’s Rebirth, Stage 2 – The Great Didactic

If you’ve been following Educational Renaissance for some time, you might remember my history of narration series from last year. During the third article of the series I had a short section on narration in John Amos Comenius’ work, relying primarily on Karen Glass’s brief quotations in Know and Tell. At the time I was only beginning to read Comenius’ The Great Didactic in full, and I had not yet procured his Analytical Didactic. Now I have read and digested both, coming away with more narration gems to add to the history. Even then I wrote that “more remains to

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Aristotle close-up as famously portrayed by Raphael with arm stretched forward indicating his engagement in the human world of moral excellence, virtue and habits

Aristotle’s Virtue Theory and a Christian Purpose of Education

Up till now in this series I have evaluated Bloom’s taxonomy and mostly used Aristotle’s intellectual virtues as a foil in my critique. And so while I have, to a certain extent, defined and described Aristotle’s five intellectual virtues, alongside offering an outline snapshot of a classical Christian educational paradigm based on them, my explanations have been mostly ad hoc, more to tantalize than to contextualize and fully explain.  This has been a deliberate rhetorical and pedagogical move: an attempt to begin with what is near at hand and understood by modern educators, before exposing its weaknesses and proposing a

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