Apprenticeship in the Arts, Part 6: The Transcendence and Limitations of Artistry

In this series on apprenticeship in the arts we have laid out a vision for the role of the arts in a fully orbed classical Christian education. We began by situating artistry or craftsmanship within a neo-Aristotelian and distinctly Christian purpose of education: namely, the cultivation of moral, intellectual, and spiritual virtues. Then we explored the analogy between artistry and morality through the basis in habit development, including in our purview the revolution in neurobiology regarding the importance of myelin. We saw that some types of elite performance have more established pathways to excellence, allowing for deliberate practice, while moral

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To Save a Civilization, Part 1: Conditions for a Decline

Why did Rome fall? In our present age, this question may yield insights that extend beyond historical inquiry. Rome, in the ancient world, was not simply another European city. It represented the pinnacle of western civilization and the magnetic core of order. Rome embodied itself as both the trustee of culture and the key to its future. When plagues spread and the economy struggled, no serious matter. One could count on the longevity of Rome to endure. You can imagine the horror, then, on that cold winter day when, Alaric, King of the Visigoths, crossed the Rhine and sacked “the

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Apprenticeship in the Arts, Part 5: Structuring the Academy for Christian Artistry

In the previous article we explored the need to counter the passion mindset of our current career counseling by replacing it with a craftsman mindset drawn from a proper understanding of apprenticeship in the arts. Apprenticing students in various forms of artistry (including the liberal arts) constitutes the role of the Academy that is most intimately connected to the professional working world. By making real these connections through actual relationships with the practitioners of arts (whether in athletics and sports, common and domestic arts, fine and performing arts, the professions and trades, or the liberal arts themselves) classical Christian schools

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Apprenticeship in the Arts, Part 4: Artistry, the Academy and the Working World

In his book So Good They Can’t Ignore You: Why Skills Trump Passion in the Quest for Work You Love, Cal Newport argues against the well-known Passion Hypothesis of career happiness. He describes the Passion Hypothesis as the idea that “the key to occupational happiness is to first figure out what you’re passionate about and then find a job that matches this passion” (4). It is well summed up by the ever-present, popular advice to “follow your dreams.” As Steve Jobs said in a 2005 commencement speech at Stanford University, “You’ve got to find what you love….[T]he only way to

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On Deep Reading

In an age of misleading news articles, vicious discourse, and exponential ignorance, it is a curious fact that the skill of reading continues to take the backseat to other “practical” areas of study. Society, it seems, would rather have students master Microsoft Excel or how to program computers than they would become lectiophiles. Reading is discarded as an antiquated art, a skill for a bygone area, whose value is akin to a penny: sentimentalized yet basically obsolete. At the same time, no one explicitly endorses the excision of reading from the curriculum as they would the penny from U.S. currency.

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Apprenticeship in the Arts, Part 3: Crafting Lessons in Artistry

In the previous two articles in this series exploring Aristotle’s intellectual virtues, I laid out a fivefold division of the arts and a teaching method for training in artistry. My guiding hypothesis is that rethinking education through the Aristotelian paradigm of intellectual virtues will combat some of the typical problems of modern education. Bloom’s Taxonomy of educational objectives misses the traditional nature of the arts in its abstract goals in the “cognitive domain.” It also obscures the beauty of how Aristotle’s virtue of techne, which I define as ‘artistry’ or ‘craftsmanship,’ involves the head, heart and body in a holistic

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Apprenticeship in the Arts, Part 2: A Pedagogy of Craft

In my previous article in this series on Aristotle’s intellectual virtues, I discussed the general nature of artistry or craftsmanship under the heading of apprenticeship. Aristotle’s virtue of techne, often translated ‘art’, points to our human capacity to make things, to produce things in the world. Words like ‘artistry’ or ‘craftsmanship’ help to convey in English the focus on a person’s trained ability to produce something. We noted that such abilities are trained through an apprenticeship process, rather than a simple knowledge-transfer approach. If a person desires to cultivate their ability to sing or paint beautifully, they rarely do so

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Educating in Desire for the Kingdom

In the Christian, classical renewal movement we often draw the distinction between an education focused on information and an education focused on formation. Education in information focuses on the dissemination of facts, critical thinking skills, and beefing up the intellect, while education for formation prioritizes the process of developing a certain type of person. Both information and formation are important, of course, so which is right?  Well, that depends on what humans essentially are. If humans are, at core, cognitive creatures, then it makes sense to focus exclusively on the intellect. This was the predominant view of modernism. Influenced by

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Is Classical Education Practical?

Is classical education practical? I suppose it depends on what we mean by the question. In modern times, a practical education is usually synonymous with one focused on job preparation. Students are educated in order to join the workforce and be economically successful.  But job preparation is not the only way an education can be deemed practical. Another avenue is life skills training. Students trained in life skills are introduced to the basics of keeping a budget, changing a flat tire, using a washing machine, investing in the stock market, shopping for groceries, mowing the lawn, and so forth. It

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The Human Brain and the Liberal Arts

For some Christians, brain science and talk of “caring for your brain” can be uncomfortable. It smacks of a physicalist conception of reality in which all we are is our physical bodies. As Christians, we believe in the reality of the soul and a transcendent immaterial world. To focus myopically on the brain may cause us to lose sight of the spiritual aspect of what it means to be human and the hope we have for eternal life. Moreover, some Christians fear, utilizing brain science to boost cognitive performance through strengthening the brain sounds like a mad scientist’s version of

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