Tag: in the classroom

The Classical Notion of Self-Education for Today

In her lecture at Oxford in 1947, Dorothy Sayers remarked, “Is it not the great defect of our education today, a defect traceable through all the disquieting symptoms of trouble that I have mentioned, that although we often succeed in teaching our pupils ‘subjects,’ we fail lamentably on the whole in teaching them how to think? They learn everything, except the art of learning.” Here we observe the seedlings of the classical Christian renewal movement: the distinction between training students how to think versus what to think. Sayers’ diagnosis is that schools in her day had prioritized learning subjects over

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Growth in the Craft: Fresh Techniques for Your Teaching Tool Belt

The sole true end of education is to teach men how to learn for themselves; and whatever instruction fails to do this is effort spent in vain. Dorothy Sayers, “The Lost Tools of Learning” As educators, we get excited when classrooms come alive: Hands shoot up. Eyes brighten. And body language across the room broadcasts that discovery is underway.  The other day I stepped in to sub for our science teacher and experienced a fresh taste of these kinds of moments. The class had been studying insects all semester and the topic of the day was beetles. Now, my background is

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Apprenticeship in the Arts, Part 3: Crafting Lessons in Artistry

In the previous two articles in this series exploring Aristotle’s intellectual virtues, I laid out a fivefold division of the arts and a teaching method for training in artistry. My guiding hypothesis is that rethinking education through the Aristotelian paradigm of intellectual virtues will combat some of the typical problems of modern education. Bloom’s Taxonomy of educational objectives misses the traditional nature of the arts in its abstract goals in the “cognitive domain.” It also obscures the beauty of how Aristotle’s virtue of techne, which I define as ‘artistry’ or ‘craftsmanship,’ involves the head, heart and body in a holistic

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Apprenticeship in the Arts, Part 2: A Pedagogy of Craft

In my previous article in this series on Aristotle’s intellectual virtues, I discussed the general nature of artistry or craftsmanship under the heading of apprenticeship. Aristotle’s virtue of techne, often translated ‘art’, points to our human capacity to make things, to produce things in the world. Words like ‘artistry’ or ‘craftsmanship’ help to convey in English the focus on a person’s trained ability to produce something. We noted that such abilities are trained through an apprenticeship process, rather than a simple knowledge-transfer approach. If a person desires to cultivate their ability to sing or paint beautifully, they rarely do so

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Liberal Arts and the Transmission of Culture

In classical circles, we speak often about the importance of the liberal arts, over and against mere career-readiness skills, but we do not always elaborate. The reality is that career-readiness skills–skills like analyzing data, applying information technology, preparing for an interview, and completing tasks efficiently–are immensely helpful. The problem is not their usefulness, but their limitations. Career-readiness skills fail to lead students outside the realm of function and into the world of value and meaning. What our world needs today more than anything is not faster internet or a new task-management system, but better stories injected with purpose. Telling better

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Cultivating the Discipline of Study

Our world is restless, this much is clear. As I have observed in previous blogs, the speed of the modern world is only accelerating as new technologies allow people to access whatever they seek at unprecedented rates. Surfing the web, in particular, has never been easier, and with it, the vulnerability to succumb to the siren’s song of amusement. Amusement is a passive state of entertainment. At its core, it is a form of distraction. People seek amusement when they are bored, when they seek to delay or avoid more difficult tasks, or when they have simply grown habituated to

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Why the History of Narration Matters, Part 4: Charlotte Mason’s Practice of Narration in Historical Perspective

In this series I have contended that the history of narration should bring Charlotte Mason educators and classical Christian educators together. That is because narration’s use as a pedagogical practice in the classical tradition illustrates vividly the connection between the two. When we know this history and turn to Charlotte Mason’s advocacy for the practice of narration as a central learning strategy, we see her not as a scientific modernist, intent on casting aside the liberal arts tradition of education, but as a renaissance-style educator. Mason was seeking to revive the best of ancient wisdom about education, even as she

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Enjoying the Bible as Literature: 5 Strategies for Engaging Students in Reading the Canon

Guest article by Heidi Dean of Christian Schools International (See Jason’s article on CSI “7 Steps to Narrating the Bible”!) In biblical studies we seek to cultivate the habits of reverence, humility, submission to the text, and other qualities of faithful scholarship. But I propose another goal should rise to the top: enjoyment. The enjoyment that students have in reading a novel, or an eerie poem, or an adventure epic.  When students are engaging with the Bible, we should hear laughter and gasps. We should see quizzical eyebrows and wide-eyed shock. I love to see students jumping out of their

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“Teach Like a Champion” for the Classical Classroom, Part 2: Teacher-Driven Professional Development

There are two general approaches to professional development in education, one that is supervisor-driven and the other that is teacher-driven. In the supervisor-driven approach, the principal or dean is the primary driver for teacher development. The principal sets the goals, schedules observations, provides feedback, and identifies future growth areas. The strength of this approach is that it puts the responsibility of developing teachers on administrators, field experts who have been on their journey as educators long enough to develop a general sense of best practices to pursue and pitfalls to avoid. The notable weakness of the supervisor-driven approach is that

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“Teach Like a Champion” for the Classical Classroom, Part 1: An Introduction

As classical educators look for tools and resources to strengthen their teaching practices, it can often be difficult to know where to turn. While the classical education renewal movement has led to a resurgence in a fresh vision for the purpose of education and even suggestions toward an ideal curriculum, the movement has not always been clear regarding method. We have the “why” and even the “what,” but the “how” remains uncertain. Some, no doubt, will respond to this critique with raised eyebrows. After all, the movement has unlocked a rich treasure chest full of wisdom and insight from master

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