Tag: grammar

Apprenticeship in the Arts, Part 6: The Transcendence and Limitations of Artistry

In this series on apprenticeship in the arts we have laid out a vision for the role of the arts in a fully orbed classical Christian education. We began by situating artistry or craftsmanship within a neo-Aristotelian and distinctly Christian purpose of education: namely, the cultivation of moral, intellectual, and spiritual virtues. Then we explored the analogy between artistry and morality through the basis in habit development, including in our purview the revolution in neurobiology regarding the importance of myelin. We saw that some types of elite performance have more established pathways to excellence, allowing for deliberate practice, while moral

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Expanding Narration’s History in the late Middle Ages: Bernard of Chartres from John of Salisbury’s Metalogicon

This is the third blog article expanding the short history of narration I laid out a year ago. In the last two I expanded my treatment of John Amos Comenius to engage in detail with the passages from The Great Didactic and the Analytical Didactic that recommend activities that Charlotte Mason would have called narration. As I have searched for teaching practices in the classical tradition, I have tried to be fairly precise in what would qualify as “narration”. In my book A Classical Guide to Narration I defined “narration” as a long-form imitative response to content that a teacher

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Charlotte Mason and the Liberal Arts Tradition, Part 1: Mapping a Harmony

“What has Athens to do with Jerusalem?” the church father Tertullian skeptically asked. Tertullian was writing at a time in which church leaders were weighing the pros and cons of mining the Greco-Roman philosophical tradition for insights they could utilize in the development of a distinctively Christian philosophy.  Similarly, within the Christian classical school movement, some have asked, “What has Charlotte Mason to do with Dorothy Sayers?” In other words, can the pedagogical insights of the British educator Charlotte Mason be conducive for classical education today? Where is there harmony? Where is there discord? While a full treatment of this

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STEM careers scientist in a lab lost in flow of thought

The Flow of Thought, Part 4: The Seven Liberal Arts as Mental Games

There’s a lot of talk these days about the war between STEM and the liberal arts (which we are meant to understand as the humanities generally). Often this gets posed as a trade-off between a utilitarian education—training our future engineers, scientists and programmers—vs. a soft education in human skills and cultural awareness. Given the hype for STEM, defending the value of the humanities (as Martin Luther did, for one) is an important move in the broader education dialogue. And it’s one that’s not very hard to make, when there are articles like this one on how Google was planning to

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The Cathedral of the Liberal Arts Tradition

Review of The Liberal Arts Tradition by Kevin Clark and Ravi Jain

Kevin Clark and Ravi Scott Jain. The Liberal Arts Tradition: A Philosophy of Christian Classical Education. Classical Academic Press, 2013. In The Liberal Arts Tradition Kevin Clark and Ravi Jain endeavor to set the record straight about what made up the course of study in the classical tradition of education. As two longtime friends and colleagues at the Geneva School–one of the early and well-developed classical Christian schools located outside of Orlando, FL–they combined their talents in rhetoric/philosophy (Kevin) and math/science (Ravi) and their mutual love of theology and the tradition to broaden the focus of the conversation about classical

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The Liberal Arts of the Classical Tradition

The Classical Distinction Between the Liberal Arts and Sciences

One of the encouraging recent developments in education is the recovery of the classical educational tradition of the liberal arts and sciences amongst Christian classical schools. Of course, we’re already laboring upstream, since to most people the term ‘liberal arts’ simply refers to general studies or the humanities. However, even the Christian classical school movement hasn’t always held on to an important classical distinction, the distinction between an ‘art’ and a ‘science’. As a movement of classical Christian schools, we’ve talked a lot about the liberal arts, especially the trivium, and more recently the quadrivium or mathematical arts. Recent books,

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