Tag: deliberate practice

Ancient Wisdom for the New Economy

Our educational renewal movement comes at a peculiar time in history. Classical education around the globe plugs us into something the predates many of the movements that shape the conventional educational assumptions of our day. One could identify the Enlightenment as the starting point of conventional education, largely because of the empirical epistemology that championed scientific fact over religious faith. Surprisingly, the classical educational renewal movement has not attempted to rewind the clock to take us back to a world before modern plumbing let alone the internet. Instead, it has called out today’s conventional education for selling short our view

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How to Teach Grit and the Growth Mindset

Over the years we have written about grit and growth mindset here at Educational Renaissance. These are important areas of recent research that align well with the aims of our educational renewal movement. But one of the really tricky issues is whether we can teach grit and growth mindset. Is it the case that children are either gritty or not? What do we do when a child comes to us with a fixed mindset? We might be committed to the ideas of grit and growth mindset, but to really have transformative classrooms, we need to consider the question of how

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3 Leadership Books for Teachers

Teachers are the leaders of their classrooms. Now, this may seem obvious (who else would be in charge?), so let me explain. Teachers are responsible for the execution of classroom objectives and the development of their students. In a healthy school, they are given the freedom and responsibility, within a broader structure of administrative oversight, to make key decisions pertaining to how they will empower their students to learn and grow. For example, a teacher responsible for teaching The Great Gatsby must consider how the book will be taught, what she will focus on, and how she intends for students

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The Pathway to Mastery: Apprenticeship in the Classroom

A new book landed on my desk around the beginning of the school year. Robert Greene’s Mastery (New York: Viking, 2012) touches on a number of points that are worthy of exploration and consideration. It reads like a mix of historical biography and self help by a writer who is a master of his craft. I first came across Robert Greene when I listened to his 48 Laws of Power (New York: Viking, 1998) as an audiobook. At that point I largely dismissed Greene as a relevant voice in my life due to how Machiavellian his self-help advice came across.

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Apprenticeship in the Arts, Part 6: The Transcendence and Limitations of Artistry

In this series on apprenticeship in the arts we have laid out a vision for the role of the arts in a fully orbed classical Christian education. We began by situating artistry or craftsmanship within a neo-Aristotelian and distinctly Christian purpose of education: namely, the cultivation of moral, intellectual, and spiritual virtues. Then we explored the analogy between artistry and morality through the basis in habit development, including in our purview the revolution in neurobiology regarding the importance of myelin. We saw that some types of elite performance have more established pathways to excellence, allowing for deliberate practice, while moral

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Apprenticeship in the Arts, Part 5: Structuring the Academy for Christian Artistry

In the previous article we explored the need to counter the passion mindset of our current career counseling by replacing it with a craftsman mindset drawn from a proper understanding of apprenticeship in the arts. Apprenticing students in various forms of artistry (including the liberal arts) constitutes the role of the Academy that is most intimately connected to the professional working world. By making real these connections through actual relationships with the practitioners of arts (whether in athletics and sports, common and domestic arts, fine and performing arts, the professions and trades, or the liberal arts themselves) classical Christian schools

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Apprenticeship in the Arts, Part 4: Artistry, the Academy and the Working World

In his book So Good They Can’t Ignore You: Why Skills Trump Passion in the Quest for Work You Love, Cal Newport argues against the well-known Passion Hypothesis of career happiness. He describes the Passion Hypothesis as the idea that “the key to occupational happiness is to first figure out what you’re passionate about and then find a job that matches this passion” (4). It is well summed up by the ever-present, popular advice to “follow your dreams.” As Steve Jobs said in a 2005 commencement speech at Stanford University, “You’ve got to find what you love….[T]he only way to

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Finding Flow through Effort: Intensity as the Key to Academic Success

At the intersection of challenge and skill, the state of flow emerges: a state of total immersion and enjoyment. Jason Barney’s book on flow, entitled The Joy of Learning: Finding Flow through Classical Education connects Mihaly Csikszentmihalyi’s study of flow with the classical Christian classroom. In this article I plan to build on Jason’s work by investigating some recent research that connects the concept of flow to grit and the growth mindset. My claim is that in order to achieve lasting flow, one must achieve an appropriate level of intensity. The first aspect of this claim to elaborate is the

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Apprenticeship in the Arts, Part 3: Crafting Lessons in Artistry

In the previous two articles in this series exploring Aristotle’s intellectual virtues, I laid out a fivefold division of the arts and a teaching method for training in artistry. My guiding hypothesis is that rethinking education through the Aristotelian paradigm of intellectual virtues will combat some of the typical problems of modern education. Bloom’s Taxonomy of educational objectives misses the traditional nature of the arts in its abstract goals in the “cognitive domain.” It also obscures the beauty of how Aristotle’s virtue of techne, which I define as ‘artistry’ or ‘craftsmanship,’ involves the head, heart and body in a holistic

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Apprenticeship in the Arts, Part 2: A Pedagogy of Craft

In my previous article in this series on Aristotle’s intellectual virtues, I discussed the general nature of artistry or craftsmanship under the heading of apprenticeship. Aristotle’s virtue of techne, often translated ‘art’, points to our human capacity to make things, to produce things in the world. Words like ‘artistry’ or ‘craftsmanship’ help to convey in English the focus on a person’s trained ability to produce something. We noted that such abilities are trained through an apprenticeship process, rather than a simple knowledge-transfer approach. If a person desires to cultivate their ability to sing or paint beautifully, they rarely do so

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