Tag: craftsmanship

Apprenticeship in the Arts, Part 6: The Transcendence and Limitations of Artistry

In this series on apprenticeship in the arts we have laid out a vision for the role of the arts in a fully orbed classical Christian education. We began by situating artistry or craftsmanship within a neo-Aristotelian and distinctly Christian purpose of education: namely, the cultivation of moral, intellectual, and spiritual virtues. Then we explored the analogy between artistry and morality through the basis in habit development, including in our purview the revolution in neurobiology regarding the importance of myelin. We saw that some types of elite performance have more established pathways to excellence, allowing for deliberate practice, while moral

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Apprenticeship in the Arts, Part 5: Structuring the Academy for Christian Artistry

In the previous article we explored the need to counter the passion mindset of our current career counseling by replacing it with a craftsman mindset drawn from a proper understanding of apprenticeship in the arts. Apprenticing students in various forms of artistry (including the liberal arts) constitutes the role of the Academy that is most intimately connected to the professional working world. By making real these connections through actual relationships with the practitioners of arts (whether in athletics and sports, common and domestic arts, fine and performing arts, the professions and trades, or the liberal arts themselves) classical Christian schools

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Apprenticeship in the Arts, Part 3: Crafting Lessons in Artistry

In the previous two articles in this series exploring Aristotle’s intellectual virtues, I laid out a fivefold division of the arts and a teaching method for training in artistry. My guiding hypothesis is that rethinking education through the Aristotelian paradigm of intellectual virtues will combat some of the typical problems of modern education. Bloom’s Taxonomy of educational objectives misses the traditional nature of the arts in its abstract goals in the “cognitive domain.” It also obscures the beauty of how Aristotle’s virtue of techne, which I define as ‘artistry’ or ‘craftsmanship,’ involves the head, heart and body in a holistic

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Apprenticeship in the Arts, Part 1: Traditions and Divisions

The previous two articles have paved the way both for our discussion of Aristotle’s intellectual virtue of techne, artistry or craftsmanship, as well as the intellectual virtue of phronesis, practical wisdom or prudence. In a strict sense, the analogy between artistry and morality is aside from our central argument, which consists in working out the implications of each of Aristotle’s five intellectual virtues as educational goals for school, curriculum, classroom, and pedagogy. The moral virtues are therefore outside the purview of our main purpose, even if they are organically connected to phronesis or practical wisdom. In addition, the moral virtues’

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Moral Virtue and the Intellectual Virtue of Artistry or Craftsmanship

It might seem strange after the paradigm delineated above to focus our attention back on intellectual virtues alone, just after arguing for the holistic Christian purpose of education: the cultivation of moral, intellectual and spiritual virtues. But it is impossible to do everything in a single series or book. The cultivation of moral virtues requires a book of its own, at the very least, and the same can be said of spiritual virtues. And there have in fact been many authors that have treated these subjects admirably, even if they have not always traced their practical implications for teaching methods,

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