Tag: common arts

Apprenticeship in the Arts, Part 6: The Transcendence and Limitations of Artistry

In this series on apprenticeship in the arts we have laid out a vision for the role of the arts in a fully orbed classical Christian education. We began by situating artistry or craftsmanship within a neo-Aristotelian and distinctly Christian purpose of education: namely, the cultivation of moral, intellectual, and spiritual virtues. Then we explored the analogy between artistry and morality through the basis in habit development, including in our purview the revolution in neurobiology regarding the importance of myelin. We saw that some types of elite performance have more established pathways to excellence, allowing for deliberate practice, while moral

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Apprenticeship in the Arts, Part 5: Structuring the Academy for Christian Artistry

In the previous article we explored the need to counter the passion mindset of our current career counseling by replacing it with a craftsman mindset drawn from a proper understanding of apprenticeship in the arts. Apprenticing students in various forms of artistry (including the liberal arts) constitutes the role of the Academy that is most intimately connected to the professional working world. By making real these connections through actual relationships with the practitioners of arts (whether in athletics and sports, common and domestic arts, fine and performing arts, the professions and trades, or the liberal arts themselves) classical Christian schools

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Apprenticeship in the Arts, Part 4: Artistry, the Academy and the Working World

In his book So Good They Can’t Ignore You: Why Skills Trump Passion in the Quest for Work You Love, Cal Newport argues against the well-known Passion Hypothesis of career happiness. He describes the Passion Hypothesis as the idea that “the key to occupational happiness is to first figure out what you’re passionate about and then find a job that matches this passion” (4). It is well summed up by the ever-present, popular advice to “follow your dreams.” As Steve Jobs said in a 2005 commencement speech at Stanford University, “You’ve got to find what you love….[T]he only way to

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Apprenticeship in the Arts, Part 3: Crafting Lessons in Artistry

In the previous two articles in this series exploring Aristotle’s intellectual virtues, I laid out a fivefold division of the arts and a teaching method for training in artistry. My guiding hypothesis is that rethinking education through the Aristotelian paradigm of intellectual virtues will combat some of the typical problems of modern education. Bloom’s Taxonomy of educational objectives misses the traditional nature of the arts in its abstract goals in the “cognitive domain.” It also obscures the beauty of how Aristotle’s virtue of techne, which I define as ‘artistry’ or ‘craftsmanship,’ involves the head, heart and body in a holistic

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Apprenticeship in the Arts, Part 2: A Pedagogy of Craft

In my previous article in this series on Aristotle’s intellectual virtues, I discussed the general nature of artistry or craftsmanship under the heading of apprenticeship. Aristotle’s virtue of techne, often translated ‘art’, points to our human capacity to make things, to produce things in the world. Words like ‘artistry’ or ‘craftsmanship’ help to convey in English the focus on a person’s trained ability to produce something. We noted that such abilities are trained through an apprenticeship process, rather than a simple knowledge-transfer approach. If a person desires to cultivate their ability to sing or paint beautifully, they rarely do so

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Apprenticeship in the Arts, Part 1: Traditions and Divisions

The previous two articles have paved the way both for our discussion of Aristotle’s intellectual virtue of techne, artistry or craftsmanship, as well as the intellectual virtue of phronesis, practical wisdom or prudence. In a strict sense, the analogy between artistry and morality is aside from our central argument, which consists in working out the implications of each of Aristotle’s five intellectual virtues as educational goals for school, curriculum, classroom, and pedagogy. The moral virtues are therefore outside the purview of our main purpose, even if they are organically connected to phronesis or practical wisdom. In addition, the moral virtues’

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What Bloom’s Left Out: A Comparison with Aristotle’s Intellectual Virtues

In the last three articles in this series, I laid out the good, the bad and the ugly of Bloom’s Taxonomy. After the last two posts it is perhaps worth reaffirming the value of Bloom’s project. While I ultimately believe that Bloom and his colleagues may have done more harm than good, I do affirm the importance of clear objectives in education. The clarity and focus of their project, which raised the issue of teaching objectives in a unique way in the history of education, leaves a real and positive inheritance to the discipline. Moreover, I am convinced that where

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Handwork: Fostering Excellence Through the Habit of Creating

Guest post by Joleen Steel, Classical Christian Educator and Director of Camping Stick Kids We are what we repeatedly do; excellence, then, is not an act but a habit. Aristotle What do you find yourself repeatedly doing? In this digital world, it is easy to immerse ourselves in the repetition of scrolling through social media or clicking out words on a device in the hope of inspiring minds and garnering followers. Yet, the digital world falls short of satisfying our deepest longings for meaning and purpose. The best moments in life are not found on a screen, but in deep,

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