Tag: Charlotte Mason

Apprenticeship in the Arts, Part 5: Structuring the Academy for Christian Artistry

In the previous article we explored the need to counter the passion mindset of our current career counseling by replacing it with a craftsman mindset drawn from a proper understanding of apprenticeship in the arts. Apprenticing students in various forms of artistry (including the liberal arts) constitutes the role of the Academy that is most intimately connected to the professional working world. By making real these connections through actual relationships with the practitioners of arts (whether in athletics and sports, common and domestic arts, fine and performing arts, the professions and trades, or the liberal arts themselves) classical Christian schools

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Renaissance Children: How Our View of Children Shapes Our Educational Aims

Perhaps no figure in Twentieth century America captured the idealization of childhood innocence better than Norman Rockwell. His paintings, appearing regularly on The Saturday Evening Post, often included children who evoked an innocence untouched by hard realities that grown ups experienced through the Great Depression and two World Wars. Consider the painting Marble Champion. This 1939 piece features three children, one girl and two boys. It is painted in such a way that one only sees the children and the marbles. There is no physical context given. The viewer is drawn into a world solely inhabited by children at play.

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The Advent of Christ as an Act of Teaching

The advent season is upon us and this blog post will explore how advent expresses God’s educational heart for humanity. You are likely familiar with the following stanza: O come! O come! Emmanuel! And ransom captive Israel; That mourns in lonely exile here, Until the Son of God appear. This hymn speaks both to the longing we all have to be reached by God and to the manner in which he reaches us: through his Son, Jesus Christ. So the first point to establish is more than just a theological dogma, but a profound existential reality. We are limited people

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Expanding Narration’s History in the late Middle Ages: Bernard of Chartres from John of Salisbury’s Metalogicon

This is the third blog article expanding the short history of narration I laid out a year ago. In the last two I expanded my treatment of John Amos Comenius to engage in detail with the passages from The Great Didactic and the Analytical Didactic that recommend activities that Charlotte Mason would have called narration. As I have searched for teaching practices in the classical tradition, I have tried to be fairly precise in what would qualify as “narration”. In my book A Classical Guide to Narration I defined “narration” as a long-form imitative response to content that a teacher

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Fostering Grit Through Charlotte Mason’s Practice of Habit Training

We write and speak often at Educational Renaissance about the importance of cultivating good habits (you can listen to our podcast on habit training here). Habits are, as Charlotte Mason put it, the railways of the good life (Home Education, p. 101). A person with good habits experiences a life of ease, while a person missing such habits often finds life burdensome and difficult.  By “ease” I don’t mean easy, of course. I mean smooth, orderly, peaceful, and effective.  For example, the habit of timeliness is indispensable for a life of ease. Imagine how difficult life is for the person

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Expanding Narration’s History with Comenius: Narration’s Rebirth, Stage 2 – The Analytical Didactic

In my last article I expanded my treatment of the history of narration through delving into a passage from John Amos Comenius’ The Great Didactic. I began reading The Great Didactic last year while writing the history of narration series and determined that there was more to say about the rebirth of narration during the Renaissance and Reformation eras. In fact, Comenius says so much that is pertinent to the teaching tool of narration, that it is tempting to attribute to him the invention of it as a core teaching practice. While we know that Aelius Theon used written narration

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Expanding Narration’s History with Comenius: Narration’s Rebirth, Stage 2 – The Great Didactic

If you’ve been following Educational Renaissance for some time, you might remember my history of narration series from last year. During the third article of the series I had a short section on narration in John Amos Comenius’ work, relying primarily on Karen Glass’s brief quotations in Know and Tell. At the time I was only beginning to read Comenius’ The Great Didactic in full, and I had not yet procured his Analytical Didactic. Now I have read and digested both, coming away with more narration gems to add to the history. Even then I wrote that “more remains to

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Discussion Group at the Educational Renaissance Symposium August 4, 2021

The Educational Renaissance Symposium 2021: A Digest

On Wednesday, August 4th we had our first annual Educational Renaissance Symposium hosted by Coram Deo Academy in Carmel, Indiana. It was exciting to welcome over sixty participants who heard keynote addresses from Educational Renaissance authors as well as attended great workshops by a variety of guests. The Symposium is a different kind of convention, intentionally small and focused on pedagogical practices. This means our keynote addresses, for instance, while aiming to be inspirational emphasize pedagogy. Breakout session then aim to apply ideas, which then lead to small group discussions during which participants can consider practices within their particular school

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After the Black Death . . . What?

It was a little over a year ago that I wrote “The Black Death and an Educational Renaissance” about how the Black Death serves as an analogue to the Coronavirus. In that article I argued that the Black Death initiated a series of societal changes that eventually led to the Renaissance. I particularly noted how education took on a more prominent role broadly in society. Despite a general decline in population, universities such as Oxford, Cambridge, and Paris saw an increase in enrollment. In light of potential parallels between the transformative effects of the Black Death and Coronavirus, I put

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Moral Virtue and the Intellectual Virtue of Artistry or Craftsmanship

It might seem strange after the paradigm delineated above to focus our attention back on intellectual virtues alone, just after arguing for the holistic Christian purpose of education: the cultivation of moral, intellectual and spiritual virtues. But it is impossible to do everything in a single series or book. The cultivation of moral virtues requires a book of its own, at the very least, and the same can be said of spiritual virtues. And there have in fact been many authors that have treated these subjects admirably, even if they have not always traced their practical implications for teaching methods,

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