Are You Ready to Become a Phone-free School?

The latest catchphrase sweeping the nation is “phone-free school.” In an age where smartphones have become ubiquitous, more and more schools are adopting policies to remove phones from the hands of students. In this article, we will look at the reasons behind this move to create distraction-free environments. Even though many classical schools are already low-tech, it is well worth considering how to approach the role of phones in the lives of students. We will also consider the thesis of Jonathan Haidt in his new book The Anxious Generation to learn more about what we can do to enable our

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Expanding Narration’s History in the late Middle Ages: Bernard of Chartres from John of Salisbury’s Metalogicon

This is the third blog article expanding the short history of narration I laid out a year ago. In the last two I expanded my treatment of John Amos Comenius to engage in detail with the passages from The Great Didactic and the Analytical Didactic that recommend activities that Charlotte Mason would have called narration. As I have searched for teaching practices in the classical tradition, I have tried to be fairly precise in what would qualify as “narration”. In my book A Classical Guide to Narration I defined “narration” as a long-form imitative response to content that a teacher

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Fostering Grit Through Charlotte Mason’s Practice of Habit Training

We write and speak often at Educational Renaissance about the importance of cultivating good habits (you can listen to our podcast on habit training here). Habits are, as Charlotte Mason put it, the railways of the good life (Home Education, p. 101). A person with good habits experiences a life of ease, while a person missing such habits often finds life burdensome and difficult.  By “ease” I don’t mean easy, of course. I mean smooth, orderly, peaceful, and effective.  For example, the habit of timeliness is indispensable for a life of ease. Imagine how difficult life is for the person

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Expanding Narration’s History with Comenius: Narration’s Rebirth, Stage 2 – The Analytical Didactic

In my last article I expanded my treatment of the history of narration through delving into a passage from John Amos Comenius’ The Great Didactic. I began reading The Great Didactic last year while writing the history of narration series and determined that there was more to say about the rebirth of narration during the Renaissance and Reformation eras. In fact, Comenius says so much that is pertinent to the teaching tool of narration, that it is tempting to attribute to him the invention of it as a core teaching practice. While we know that Aelius Theon used written narration

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Expanding Narration’s History with Comenius: Narration’s Rebirth, Stage 2 – The Great Didactic

If you’ve been following Educational Renaissance for some time, you might remember my history of narration series from last year. During the third article of the series I had a short section on narration in John Amos Comenius’ work, relying primarily on Karen Glass’s brief quotations in Know and Tell. At the time I was only beginning to read Comenius’ The Great Didactic in full, and I had not yet procured his Analytical Didactic. Now I have read and digested both, coming away with more narration gems to add to the history. Even then I wrote that “more remains to

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Moral Virtue and the Intellectual Virtue of Artistry or Craftsmanship

It might seem strange after the paradigm delineated above to focus our attention back on intellectual virtues alone, just after arguing for the holistic Christian purpose of education: the cultivation of moral, intellectual and spiritual virtues. But it is impossible to do everything in a single series or book. The cultivation of moral virtues requires a book of its own, at the very least, and the same can be said of spiritual virtues. And there have in fact been many authors that have treated these subjects admirably, even if they have not always traced their practical implications for teaching methods,

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Rest for the Weary: On Cultivating the Intellectual Life

As the pace of our modern world grows busier and busier, spurred on by the services of smartphones and laptops, people need somewhere to turn for relief. Our glowing rectangles promise us conveniences such as efficiency and a life of ease, but for what purpose? More efficiency, more ease. It’s a never-ending cycle. Technology frees us up to consume…more technology.  In order to escape the technological addiction that has mystified the 21st century, it is not enough to take smartphones, laptops, and video streaming services away. They must be replaced with something better. Something deeper. Something more satisfying. In this

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Why the History of Narration Matters, Part 4: Charlotte Mason’s Practice of Narration in Historical Perspective

In this series I have contended that the history of narration should bring Charlotte Mason educators and classical Christian educators together. That is because narration’s use as a pedagogical practice in the classical tradition illustrates vividly the connection between the two. When we know this history and turn to Charlotte Mason’s advocacy for the practice of narration as a central learning strategy, we see her not as a scientific modernist, intent on casting aside the liberal arts tradition of education, but as a renaissance-style educator. Mason was seeking to revive the best of ancient wisdom about education, even as she

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Enjoying the Bible as Literature: 5 Strategies for Engaging Students in Reading the Canon

Guest article by Heidi Dean of Christian Schools International (See Jason’s article on CSI “7 Steps to Narrating the Bible”!) In biblical studies we seek to cultivate the habits of reverence, humility, submission to the text, and other qualities of faithful scholarship. But I propose another goal should rise to the top: enjoyment. The enjoyment that students have in reading a novel, or an eerie poem, or an adventure epic.  When students are engaging with the Bible, we should hear laughter and gasps. We should see quizzical eyebrows and wide-eyed shock. I love to see students jumping out of their

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Quintilian

Why the History of Narration Matters, Part 2: Classical Roots

In my last article I shared the first piece of why the history of narration matters: it has the potential to break down the barrier between the Charlotte Mason community and classical educators. There are some notable exceptions who have tried to cross the aisle, but for the most part these two groups have kept to their own camps — some have even had cutting critiques of the other side to share. And of course, we may be each other’s best critics in a way that would be good for both of us. But for that to happen Masonites would

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