Amongst the subjects that epitomize Charlotte Mason’s philosophy of education, picture study – otherwise known as artist study or art study – offers so much scope for us to consider how classical education can benefit from a deeper understanding of Mason’s methods. When we think about the classical tradition, we often focus on the great books, from the classics of the ancient world to the literary and philosophical masterpieces down through the ages. Yet, the tradition of the visual arts has generated masterpieces of a different sort, and in some cases of greater esteem that the written tradition. The Visual
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Apprenticeship in the Arts, Part 1: Traditions and Divisions
The previous two articles have paved the way both for our discussion of Aristotle’s intellectual virtue of techne, artistry or craftsmanship, as well as the intellectual virtue of phronesis, practical wisdom or prudence. In a strict sense, the analogy between artistry and morality is aside from our central argument, which consists in working out the implications of each of Aristotle’s five intellectual virtues as educational goals for school, curriculum, classroom, and pedagogy. The moral virtues are therefore outside the purview of our main purpose, even if they are organically connected to phronesis or practical wisdom. In addition, the moral virtues’
Continue readingTraining in the Arts vs. Teaching Sciences
I have previously written on the classical distinction between an ‘art’ and a ‘science’, but I recently discovered some interesting confirmations of it in Plato and John Milton Gregory (two otherwise widely divergent figures in the history of education). In particular, the chief take-away for teachers is a clearer awareness of when you are focused on training students in an art vs. teaching them a subject. To summarize the distinction, Aristotle defined the intellectual virtue of ‘art’ as a “state of capacity to make [something], involving a true course of reasoning” (Nichomachean Ethics VI.4, 1140a). The painter makes paintings, the
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