This is the third blog article expanding the short history of narration I laid out a year ago. In the last two I expanded my treatment of John Amos Comenius to engage in detail with the passages from The Great Didactic and the Analytical Didactic that recommend activities that Charlotte Mason would have called narration. As I have searched for teaching practices in the classical tradition, I have tried to be fairly precise in what would qualify as “narration”. In my book A Classical Guide to Narration I defined “narration” as a long-form imitative response to content that a teacher
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What has Ambleside to do with Jerusalem?: A Consideration of Charlotte Mason’s Philosophy of Education as a Model for Teaching Biblical Studies
In this week’s blog post I am going back into the vault to share with you a paper I presented at the Society of Biblical Literature Annual Meeting in Atlanta on November 20, 2010. This was a pivotal moment in my career, having earned my PhD and taught for a few years at colleges and seminaries in the US and UK. I joined the faculty of Clapham School in 2009 and there first encountered Charlotte Mason. My introduction to Miss Mason’s philosophy of education completely revolutionized my teaching, and this was something I wanted to share with my biblical studies
Continue readingThe Benefits and Drawbacks of Online Learning: 6 Hacks to Mitigate the Drawbacks
I am no expert on online learning. Before the pandemic and social distancing, I was about as old school a teacher as one could be. True, I required students to type essays in MLA format and even used a PPT to teach them proper formatting on Microsoft Word. But that’s about it. My main technologies in the classroom were whiteboard, marker, books, pen and paper. If that weren’t enough, I have criticized and countenanced criticism of online classes and courses, including those prominent classical education ones. Years ago, when my former head of school told me his grand plan for
Continue readingThe Flow of Thought, Part 5: The Play of Words
“Words, words, words.” Such was the enigmatic reply of Hamlet to Polonius’ question, “What do you read, my lord?” And as always, Hamlet’s feigned madness displays the ironical insight of a verbal sense of humor. After all, what is anyone reading these days, but merely words, words, and more words? Of course, Polonius interprets this as a depressive comment on the meaninglessness of reading, with a unique philosophical twist. But perhaps it can represent for us an important claim regarding the purpose of education in language and the humanities: words are meant to be played with, not merely learned. In
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