Perhaps no figure in Twentieth century America captured the idealization of childhood innocence better than Norman Rockwell. His paintings, appearing regularly on The Saturday Evening Post, often included children who evoked an innocence untouched by hard realities that grown ups experienced through the Great Depression and two World Wars. Consider the painting Marble Champion. This 1939 piece features three children, one girl and two boys. It is painted in such a way that one only sees the children and the marbles. There is no physical context given. The viewer is drawn into a world solely inhabited by children at play.
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