Perhaps no figure in Twentieth century America captured the idealization of childhood innocence better than Norman Rockwell. His paintings, appearing regularly on The Saturday Evening Post, often included children who evoked an innocence untouched by hard realities that grown ups experienced through the Great Depression and two World Wars. Consider the painting Marble Champion. This 1939 piece features three children, one girl and two boys. It is painted in such a way that one only sees the children and the marbles. There is no physical context given. The viewer is drawn into a world solely inhabited by children at play.
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Expanding Narration’s History in the late Middle Ages: Bernard of Chartres from John of Salisbury’s Metalogicon
This is the third blog article expanding the short history of narration I laid out a year ago. In the last two I expanded my treatment of John Amos Comenius to engage in detail with the passages from The Great Didactic and the Analytical Didactic that recommend activities that Charlotte Mason would have called narration. As I have searched for teaching practices in the classical tradition, I have tried to be fairly precise in what would qualify as “narration”. In my book A Classical Guide to Narration I defined “narration” as a long-form imitative response to content that a teacher
Continue readingEducating to Transform Society: The Washington-DuBois Debate
The year was 1895. Two momentous events occurred that year that would lead to a heated rivalry between Booker T. Washington and W. E. B. DuBois. The first event was the death of Frederick Douglass on February 20th of that year. He was the leading black figure of the time, speaking and writing with a level of rhetorical polish that revealed a great mind. Douglass was a towering figure in the social and political environment during the close of the 19th century. As such, his death called forth a new voice that would champion the cause of black suffrage. The
Continue readingExpanding Narration’s History with Comenius: Narration’s Rebirth, Stage 2 – The Analytical Didactic
In my last article I expanded my treatment of the history of narration through delving into a passage from John Amos Comenius’ The Great Didactic. I began reading The Great Didactic last year while writing the history of narration series and determined that there was more to say about the rebirth of narration during the Renaissance and Reformation eras. In fact, Comenius says so much that is pertinent to the teaching tool of narration, that it is tempting to attribute to him the invention of it as a core teaching practice. While we know that Aelius Theon used written narration
Continue readingExpanding Narration’s History with Comenius: Narration’s Rebirth, Stage 2 – The Great Didactic
If you’ve been following Educational Renaissance for some time, you might remember my history of narration series from last year. During the third article of the series I had a short section on narration in John Amos Comenius’ work, relying primarily on Karen Glass’s brief quotations in Know and Tell. At the time I was only beginning to read Comenius’ The Great Didactic in full, and I had not yet procured his Analytical Didactic. Now I have read and digested both, coming away with more narration gems to add to the history. Even then I wrote that “more remains to
Continue readingAfter the Black Death . . . What?
It was a little over a year ago that I wrote “The Black Death and an Educational Renaissance” about how the Black Death serves as an analogue to the Coronavirus. In that article I argued that the Black Death initiated a series of societal changes that eventually led to the Renaissance. I particularly noted how education took on a more prominent role broadly in society. Despite a general decline in population, universities such as Oxford, Cambridge, and Paris saw an increase in enrollment. In light of potential parallels between the transformative effects of the Black Death and Coronavirus, I put
Continue readingInsights on Education from the Life of John Adams
This past month I have been reading David McCullough’s biography on John Adams. Adams, as you may recall, was a key leader amongst the colonies throughout their concerted effort to gain independence from British rule. He experienced first hand the benefits of life in the British Empire as well as the eventual challenges. Adams would play a key role in the earliest meetings of the Continental Congress, debating loyalists, those desiring to stay loyal to King George III. Later on, John Adams would participate in the early governmental efforts of the colonies, serving as the first Vice-President and second President
Continue readingWhen Bloom’s Gets Ugly: Cutting the Heart out of Education
Bloom’s Taxonomy cuts out the heart of education by cultivating bloated heads and shrivelled chests and leaving out man as maker and doer.
Continue readingWhy the History of Narration Matters, Part 4: Charlotte Mason’s Practice of Narration in Historical Perspective
In this series I have contended that the history of narration should bring Charlotte Mason educators and classical Christian educators together. That is because narration’s use as a pedagogical practice in the classical tradition illustrates vividly the connection between the two. When we know this history and turn to Charlotte Mason’s advocacy for the practice of narration as a central learning strategy, we see her not as a scientific modernist, intent on casting aside the liberal arts tradition of education, but as a renaissance-style educator. Mason was seeking to revive the best of ancient wisdom about education, even as she
Continue readingWhy the History of Narration Matters, Part 3: Narration’s Rebirth
In my previous two articles I framed my discussion of the history of narration with the controversy between Charlotte Mason and classical Christian education advocates. I suggested that narration’s history may be a fact that puts to rest the false dichotomies of either side. While Charlotte Mason did claim discovery of certain principles related to the nature of mind, narration itself is one of the many things she owes to the tradition. As she said of her philosophy and methods, “Some of it is new, much of it is old.” (Toward a Philosophy of Education; Wilder, 2008; 29) As we
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